Sunday, May 15, 2011

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XIII International Conference on Heritage in Gijón: Heritage and Intangible Heritage

From 28 September to 1 October 2011 made the XIII International Conference on Industrial Heritage in Gijón (Asturias, Spain), organized by INCUNA, non-profit organization with extensive experience and recognition within the field industrial and cultural heritage. Event has the support of various public and private institutions.

The central theme this time is "Heritage and Intangible Heritage: Artefacts, knowledge and memory of the Industry."
invite to know the details of this call through the link:
http://es.scribd.com/doc/55493103/Avance-de-Programa-XIII-Jornadas-de-Patrimonio-Material-e-Intangible-de- Industry

Wednesday, May 11, 2011

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Former Petroleum Lobitos Camp: An Industrial Heritage in agony



The first cinema in South America, built in the camp Lobitos.



In October 2008, the National Institute of Culture, through Executive Resolution No. 1453/INC National monuments declared as members of the National Cultural Heritage to the church Sacred Heart of Jesus and the building administrative offices of the former camp Lobitos oil, located in the district of the same name, province Talara, Piura.

However, this statement came a little late. In fact these buildings, built of valuable Douglas fir, with a few houses, the wharf and the desalination plant, were all that was saved from a systematic dismantling, complained loudly, but on deaf ears.

The story begins in early 1900 with the establishment of the oil industry in the area. It was the American company Lobitos Oilfields Limited, which set up camp here to house leaders and workers of the plant. To this end, brought wooden houses and joined buildings, built a desalination plant and a church, and even installed the first cionema in South America.

But in 1968, with the expulsion of the International Petroleum Company, the camp was at the hands of the Peruvian State. Over the years this has happened to the Ministry of Defense made it a peaceful and heavenly army barracks. The residents of the fishing village of Lobitos say that here began the agony of this invaluable industrial heritage. The military began to disassemble the housing, movies, and sell wood and irons. So these impostantes disappeared forever testimony of the oil industry in Peru.

authorities, the local media and even some members of Congress took the case and reported the robbery and the attack on our heritage, but the facts remained committed. Currently, the camp is just his church, a demolished almost spring, the remains of the desalination plant and a few houses standing.

Even with resolution in hand, still is pending to preserve what little is left and convent Lobitos part of large industrial tourist circuit of northern Peru.




Part of the camp with houses built with oregon pine.


Saturday, May 7, 2011

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National progress or apathetic weariness

In principle, Olga, Eileen, Bitty and Pedro Luis.

Friends, how good we can give a time and write what we think, sorrows and frustrations we have to walk loading. Write and share a good exercise to see beyond the ephemeral trills Twitter.

I have just three minutes to write this, so please excuse the mistakes and hasty.

I. On the fly.

Bitty says: "I do not know if the progress achieved its goal ..." Eileen then adds: "empathy generated by the march is important, but not enough. "

I like them, I have many doubts on the fly, on its findings and final paths. However, I stopped a bit to think if there is an" objective "explicit that this march is flying I do not see. And I think it does not have to have it. If someone told them about the progress of 6 April, they said they sure looked like an island that claims: "Give Calderón", "ABC Nursery Justice" "We condemn the violence", "Yes to the legalization of drugs", "Let God", "No to animal abuse," "Viva the EMS", "Military Out of the streets", "We want justice, not promises" , plus many more. There is therefore a speech articulating these demands, because this particular claim in the context of national weariness.

So, as I was telling Luis Frost: I think the highlight of these demonstrations is not whether intended or not a goal, but the chance of bringing together public and private demands, personal and national, in a specific moment of discomfort as a whole. The context, therefore, important because it can produce "empathetic citizens." Javier Sicilia do not know, and I've never read one of his poems, but the death of your child hurts and embarrasses me as Marisela Escobedo's death, I squeeze Like the discovery of the graves in San Fernando and angers me like the unpunished murder of young Salvarcar villas, among many, many others. The march is the possibility of my anger is not particularly visible, but the collective outrage that we feel a lot about what is happening in our country. Yes, Eileen, is "enunciation" and we're probably tired of pure phrases, but I find that mobilization is always a starting point. Now, a starting point for what? "To build social and political awareness? Yes, probably. A march of these characteristics is always a place to socialize a problem. Know other stories, other people, other possible paths of action. Is it useful to show that the citizen with other citizens have more voice than many politicians together? Yes, think so too, but then the variables are more complex and not always the case as it is.

But what else does it serve? It seems to me that these recent marches have led to slightly, beginning to turn their gaze to the faces and stories of the dead, the murdered, kidnapped and change the social-political discourse there. It's time to tell the government and media tell and tell ourselves that these deaths are not statistics, OR ARE COLLATERAL DAMAGE OR ARE ISSUES THAT have to get used.

That matters and matters a lot and I think the message of Sicily goes well in that way and so, that's why this motion should be supported, disseminated, known ...

Finally, I seem to ask, demand that "progress" to resolve our problems of insecurity and violence that make Mexico a more peaceful, or criticize the audience for "not doing anything after" is somewhat unfair. Sociologists, political scientists and rational choice theorists have spent decades puzzling over the problem of "collective action". No, do not think that march, the march, will magically make us all better citizens, activists or heroes. But, you know, suddenly it happens that not one but several dozen (would be thousands or hundreds of thousands) feel part of something, with a greater commitment, and that's worth. Worth a lot. Because ultimately, perhaps, these people will continue to demand not only for justice and the investigation of a crime, but for political reform, for better labor laws in question, firms undertake collective action against predators, or simply think it twice when giving a bribe. Moving from glut apathetic and hopeless to vigilante action, demanding.

I have to crawl. I would like to continue, but I can not. A hug with affection to all.

Wednesday, May 4, 2011

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Museum is looking for valuable heritage Figure


The Mr. Carlos García Granthon tells us that in their possession, by legitimate succession, an important industrial heritage graphic you want to transfer in custody to a museum or competent institution for display, study and preservation.

The story begins with his grandfather, Don Carlos García Dávila, active plebiscite Tacna, owner of the shop where it was printed the weekly "Justice!" and who, with respect to particular Jorge Basadre spent some laudatory lines in his work "The conflict of passions and interests in Tacna and Arica (1922-1929).

His great-grandfather, blinded by the torture and mistreatment he received in retaliation for his patriotism, he emigrated to Lima at the end of the decade of the 20's with his family and a little graphic material and equipment that could save your shop, but much to his chagrin, could never again set foot in Tacna.

Remaking the print shop with the little they saved from Tacna, two of his sons continued in Lima with the tradition and craft of printing, Carlos and Jorge Garcia Sierra. Jorge had no offspring, but Carlos, in turn had three sons, Charles, Elmer and Alberto Garcia Miano, everyone at some point in their lives honored the tradition of print, especially Carlos, who continued the print shop to the twenty-first century and unfortunately passed away recently after devoting his life to the graphic arts. Don Carlos García

Granthon continued the family trade and thus, through four generations of printers, has survived a heritage of the original print Tacna which held weekly print "Justice!" Means a printing press pedal / steering wheel marked "Meik", made in Leipzig, Germany in 1897, some photogravures, including a Peruvian in Arms Shield and Motherland, among other typographic material varied from the passionate times plebiscite.

Today, Don Carlos García Granthon only want to preserve this legacy, giving in custody this material to any museum or institution qualified to ensure your presentation, protection and integrity and somehow contribute to the preservation and dissemination of national heritage.


Collaboration: Carlos Garcia Granthon



Don Carlos García Dávila, founder of the weekly "Justice"












Plate
make and year of release















Photogravure the National Escua